After Covid forced galleries to move their exhibitions to a digital space, artists and art institutions are now grappling with a divisive new normal

Walking into Canada Gallery on the Lower East Side, a wall of 400 latex masks greets you. The faces express frustration and weariness.

Michael Mahalchick’s seventh solo exhibition, US, represents Donald Trump’s “basket of deplorables”, a phrase Hillary Clinton used to describe of Trump supporters during his 2016 presidential campaign.

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