Ladies and gentlemen, please take your seats – for how much longer? Our chief theatre critic on her Covid-hit week

Until a few days ago, I had a diary rammed with first nights. This week was non-stop theatre every night: a sprint finish to the festive down-tooling.

Wednesday evening was supposed to be the press night for Hex, Rufus Norris’s musical retelling of Sleeping Beauty at the National Theatre. And then it wasn’t, due to Covid. Other official opening nights fell in what seemed like a horrible game of skittles, from Moulin Rouge to Force Majeure – some of the most hyped shows of the year. Suddenly, my sprint became a crawl.

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