An immaculate social satire featuring scabrous character studies, a murder-mystery and a shocking revenge scene

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‘Wave like you mean it,” the hotel manager tells his staff as they line up on the beach waiting for the next boatful of guests to arrive at the luxurious White Lotus resort. With that line, Mike White’s immaculate six-part creation is set. On to the beach come the clientele, awed by the beauty of their surroundings but already taking the humans on the shoreline for granted – checking that their needs (wants) have been anticipated, extracting further efforts from those they are sure exist only to serve, and soon demanding (in what in Shane’s case will evolve into a series-long war of attrition with the manager, Armond) apologies and upgrades whenever minor mistakes are made.

The White Lotus had many superficial similarities with previous glossy hits such as Big Little Lies. It looked gorgeous, had an array of affluent white characters living what they considered ordinary and what most would consider easeful, glamorous lives, and a murder-mystery woven in.

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